Enriching town and village life alike: Suitable, ecologically responsible venues with local materials and expertise

“To talk about the future is useful only if it leads to action now … with new methods of production and new patterns of consumption: a lifestyle designed for permanence.” – E.F. Schumacher in Small Is Beautiful: A Study of Economics as if People Mattered, p. 16 (Abacus 1984 ed.)

“If the town life was rich, the village life was equally so. … The villagers were not altogether cut off from the activities of town life. … The monotonous life of the villager was often enlivened by rural amusements of varied character. Every village had a common dancing-hall (kalam). Even the village women took part in these public performances like the tunankai, a kind of dance .” – V. R. Ramachandra Dikshitar, The Cilappatikaram (Tinnevelly: The South India Saiva Siddhanta Works Publishing Society, 1978), chapter on “Village and Village Life”, pp. 61

More Things I recommend: Worldcat.org >>

Download, read in full screen mode or listen to A Theatre For All: Sittrarangam—the Small Theatre Madras by Ludwig Pesch (open domain) on Archive.org >>

Bibliography >>

Unity in Diversity, Antiquity in Contemporary Practice? South Indian Music Reconsidered – Free download

“Unity in Diversity, Antiquity in Contemporary Practice? South Indian Music Reconsidered” by Ludwig Pesch (Amsterdam) in Gardner, Matthew; Walsdorf, Hanna (Hrsg.). Musik – Politik – Identität / Music – Politics – Identity. Göttingen: Universitätsverlag, 2016 (Musikwissenschaften) | Abstract and contents >>

ISBN13: 978-3-86395-258-7

Softcover, 17×24, 218 S.: 24,00 € Online Ausgabe, PDF (3.681 MB)

To download this essay (PDF 500 KB) for free, click here >>
(Creative Commons licence Attribution-ShareAlike 4.0 International)

Other publications, book chapters and articles by Ludwig Pesch: WorldCat.org list >>

A Theatre for All: Sittrarangam (The small theatre Madras) – Free Download

A Theatre for All Sittrarangam—the small theatre Madras by Ludwig Pesch with a Foreword by Himanshu Burte

Download the epub-version for offline reading, printing or getting read out on the Archive.org website >>

eka.grata publications © Amsterdam 2002 (print version), 2016 (ebook versions)

Digital edition © Ludwig Pesch 2016 based on the 2nd revised edition 2002This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc-sa/4.0/.

Beautifully and very imaginatively conceived. India needs theatres of this kind in every village.

Goverdhan Panchal, Emeritus Instructor of Scene Design at the National School of Drama and author of books and articles on traditional Indian theatre

Project website
https://www.natyasala.mimemo.net/Natyasala/Small_theatre.html

Sittrarangam is discussed in the chapter on Indian theatre architecture together with Kalakshetra and Kerala Kalamandalam in:
The Oxford Companion to Indian Theatre edited by Ananda Lal (New Delhi: Oxford University Press, 2004), pp. 18-19
http://www.worldcat.org/oclc/470139309

Integrated Music Education – Challenges of Teaching and Teacher Training

“Thinking and learning in South Indian Music” by Ludwig Pesch, chapter 4 in: Markus Cslovjecsek, Madeleine Zulauf (eds.)
Integrated Music Education – Challenges of Teaching and Teacher Training

Peter Lang Publishers, Bern, 2018. 418 pp., 29 fig. b/w, 2 tables
MOUSIKÆ PAIDEIA Music and Education/Musik und Bildung/Musique et Pédagogie. Vol. 1 pb. ISBN 978-3-0343-0388-0

This book was presented  during the 33rd ISME World Conference for Music Education (isme2018.org) | Find a library copy on Worldcat.org >>

Contents & contributors

Starting point. The school’s disciplinary learning scaffold : a challenge for integrated education / Rudolf Künzli ; The intertwining of music, education, and integration / Madeleine Zulauf & Markus Cslovjecsek
Step 1. Approaching integrated music education by exploring distant horizons. Integrating arts performance and education in communities of practice : a Brazilian experience / Joan Russell ; Thinking and learning in South Indian music / Ludwig Pesch ; Making connections : avant-garde visual artists and Varèse / Colleen Richardson
Step 2. Encountering integrated music education: where school meets life. Cooperative learning in music : music education and the psychology of integration / Frits Evelein ; Music/arts/language interdisciplinary intervention : cultural, linguistic, and artistic development in Francophone minority communities / Anne Lowe & Monique Richard ; Promoting spirituality through music in the classroom / Diana Harris
Step 3. Uncovering school models in integrated music education. Interdisciplinarity based on a deep understanding of disciplinarity : benefits for students’ self-development / Dagmar Widorski ; Considering frameworks for integrating music and the arts / Kari Veblen; Cross-curricular approaches in music teaching / Jonathan Barnes
Step 4. Becoming familiar with integrated music education activities in the classroom. Activities which use and unveil cultural artifacts / Smaragda Chrysostomou, Colleen Richardson & Joan Russell ; Activities which explore links between music and one other subject / Markus Cslovjecsek, Ludwig Pesch & Joan Russell ; Activities which develop from the learners’ presence / Anke Böttcher, Frits Evelein & Diana Harris
Step 5. Being invited into the minds of people engaged in integrated music education. Conceptions of integrated music education : models in dialogue / Madeleine Zulauf & Peter Gentinetta ; When teachers meet specialists : retrospect on the symposium ‘Practice and research in integrated music education’ as a form of professional development / Hermann Gelzer & Helmut Messner

About this book
Schools are generally oriented towards discipline-based programmes and therefore students often accumulate fragmented knowledge, disconnected from real life concerns. The eighteen contributors to this work suggest that music offers a highway to developing a more appropriate integrated education. They present a range of views on Integrated Music Education rooted in various cultural traditions, based on several interdisciplinary models and integrated arts curricula, inspired by psychological concepts and referenced to recent teaching experiments as well as original research.
In this innovative book, the reader is invited to go beyond the dichotomy between ‘education in music’ and ‘education through music’, exploring the opportunities put forward by Integrated Music Education thanks to a constant movement from the theoretical roots through a precise description of teaching activities to the benefits for students in terms of integration of knowledge, personal development, and social and cultural belonging. Lastly, there are some new and interesting ideas for training teachers.
Audio file: Lakshmi and Marma talas combined in an original rendition by Thrikkamburam Krishnan Marar, a hereditary temple musician in Kerala. Recording location: Natanakairali Irinjalakuda; described in the present publication:
Vaitari: Syllable-based rhythm exercise from Kerala by Ludwig Pesch (pp. 290-4), Ch. “Activities Which Explore Links between Music and One Other Subject”

Audio file: Lakshmi and Marma talas combined in an original rendition by Thrikkamburam Krishnan Marar, a hereditary temple musician in Kerala. Recording location: Natanakairali Irinjalakuda; described in the present publication:
Vaitari: Syllable-based rhythm exercise from Kerala by Ludwig Pesch (pp. 290-4), Ch. “Activities Which Explore Links between Music and One Other Subject”
Art: Arun VC (Wayanad, Kerala)
Illustrations from Vaitari: A musical picture book from Kerala